Lynedecker reading

We had a day off work today so I decdied to do a study of one of Lynedecker´s illustrations, but in water colour and here´s the result.

Warm ups

Just some quick warm up sketches from a life drawing webpage.

Cheetah study

I was watching this video of a cheetah running in slow motion and it appeared that the head was floating as if inmobile to the rest of the body, but after trying it out in flash clocking off the legs it appears that it does actual move up and down as one would think.  It does stay pretty still though considering the rest of the elements moving around ferociously.

http://video.nationalgeographic.com/video/magazine/ngm-cheetah-running

CGMA Week 7: Moment painting

 For this week we needed to continue working on a colour key and try bringing it into a moment painting.

 

 This was an Interesting assignment, we had the option to paint from this reference, but only using the colours provided below and to focus on the tones and forget about the actual colour

This is what I came up with.

CGMA Week 6: Colour script

This one was a toughy, drawing a cohesive story for an invented feature film plot within 5 illustations wasn´t easy.  I think I made things clear enough.  I am also pretty sure I made a few historical inacurracies for the time period, ah well, I am happy with the results, maybe should have made the flames a bit redder and the background on the last one a little darker. I may refine them somewhat later

CGMA Week 5: Times of day

Suppose to be some select times of day in Spring, though I went a bit extreme with the saturation in the end. I was trying to push everything so that I could tackle the most extreme versions of these lights, but I wen a little too far and most of them are highly over saturated and the trees contrast a little too much.  I do like the golden hour one though and noon.

I found a cool colour wheel that´s quite interesting, it helped somewhat getting an idea for the colours light produces aroun that time, though it doesn´t help for different seasons or how it reacts with objects it touches.

CGMA Week 4: Painting complexities and composition principles